Gibson, as usual, finds himself in the middle; he is a sadist who rubs our faces in cinematic violence, and he is also a masochist who figures the best way to deal with the violence he sees in the world is to accept it and absorb it somehow. But where The Passion gave his admirers an easy out—between Jesus taking the pain and his enemies inflicting it, we side with the pain-taking, no question—Apocalypto is harder to pin down. One man, who is clearly meant to be a role model of sorts, faces his own death with incredible resolve, betraying no emotion and barely any suffering. But Jaguar Paw must fight back, at least to save his family, so the film takes a few steps back to the revenge-seeking ways of Braveheart and other Gibson flicks.
It will be interesting to see what Christian movie buffs in particular make of this film. When The Passion came out, there was much speculation that Gibson had become "one of us," and there were many requests for Gibson to follow it up with a movie about the Maccabean revolt, Saint Francis, or any of a number of other biblical and religious subjects. Instead, with a budget rumoured to be over $70 million—much of it amassed from The Passion's profits—Gibson has made a bloody flick about death and social decay in a pagan culture, and he hints ever so obliquely that the world has not fared any better under we Christians. After watching Apocalypto, some people may find they cannot watch The Passion the way they used to.
Monday, December 11, 2006
Apocalypto
Read Christianity Todays's review of Mel Gibson's latest film, Apocalypto. The review concludes by saying:
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment