Yesterday we played “J-fest”. These are some brief thoughts:
1. What’s really interesting about the Evangelical worship scene is that is can have an adverse affect on artists during the summer festivals. Take for the example the song “Blessed Be The Name” by Matt Redman. This song has been a hit by the band Tree 63 and sung in probably almost every evangelical church across the nation. An artist that played before us today at “J-Fest” used this song. Many artists in CMI (Christian Music Industry) are using commonplace worship songs in their set to help people engage in their shows with a song that they know. What is funny about this is that you can hear this song in the morning worship set by the latest worship rock star, then have another artist use it during the afternoon set and then finally if Matt Redman is the headline artist of the night he is going to do it. Or should he? It seems kind of weird to me that you would hear this song three different times during the day at a festival an then the guy who actually wrote it would have to face a dilemma on whether to play it or not for fear of seeming redundant. There is always a place for a good cover song, but I think we have crossed the line with our endless "covering" of worship songs by CMI artists.
2. The guys in the band told me a story today about a guitar player named Ryan Truso who once just to make a point between songs at a Christian festival, just yelled out two full sentences of complete gibberish that was utterly incoherent, but at the end tacked on a big “JESUS”!! People went wild. This was just to prove the point that most “Christian” crowds will go nuts simply at the name of Jesus without any context. Not that the name of Jesus is not something to get excited about but it was meant to show that most people are not really listening for content, but simply looking for the next “Jesus buzz” or a means to do some “Jesus freebasing”. This leads me to what I saw today and see at almost every show that we do. In our set we have a song called “More”. It’s a song that has been Matthew’s biggest hit. It was number one for nine weeks straight in the summer of 2004. The chorus is written as God talking to us as his children and He says, “I love you more than the sun, and the stars that I taught how to shine, you are mine and you shine for me too. I love yesterday and today and tomorrow I’ll say it again and again, I love you more” This is NOT a worship song, but people will throw their hands up and close their eyes almost every time we play this song. Has “hands up and eyes closed” just turned into a posture that signifies an emotive experience that is taking place? Probably in some circles, but on the other hand I just don’t think the people are really listening.
3. There’s always something that strikes me as weird about a huge line of people who want the artist’s autograph after the show. The whole idea of a Christian celebrity seems a bit backwards, but probably unavoidable for those who are, thus it's no fault of their own. To be sure, Jesus was seens as a celebrity of sorts but usually for the wrong reasons and at the end he was left utterly alone to die as a hated criminal. Most artists would say that their desire would be to have the people leave with feeling pointed to God in some real way. I know there is not anything really inherently wrong with wanting someone’s autograph, but I fear that the long autograph line is somehow a testimony to what ultimately the Christian Music Industry is about: Christians being entertained. To quote Jerry Seinfeld, “Not that there’s anything wrong with that”. But if we are going to try and make Jesus the main centerpiece shouldn’t all that we do as an artist really try and point to that? If we are going to entertain and we know that up front, why not just leave Jesus out? Should Jesus be our means to entertainment? Or better yet, instead of having our nice Christian commune at the summer festivals, why not have all the Christians forget the Christians entertainment and get entertained at the secular festivals and seek to be salt and light there? Maybe I’ve gone too far here and I think I am leading myself down a dark road that ultimately says that Christian music, generally speaking, has no real significant place whatsoever in terms of a lasting kingdom impact. Do I really feel that way? Probably not, but that is beyond the scope of this post. I could be off here, but for sure much of it could go away and I don’t think it would really be that big of a deal. I probably shouldn’t bite the hand that is feeding, but these are just things I am thinking about as I encounter them as a member of the Christian Music Industry.