The Pornography Culture

Writing for The New Atlantis, David B. Hart writes a very compelling piece dealing with the Child Online Protection Act that was shot down by the supreme court, our culture of "rights", and the effect of porn on our culture. Read the whole piece. It's brilliant. These paragraphs below are my favorite highlights:

Anyone who would claim that constant or even regular exposure to pornography does not affect a person at the profoundest level of consciousness is either singularly stupid or singularly degenerate. Nor has the availability and profusion of pornography in modern Western culture any historical precedent. And the Internet has provided a means of distribution whose potentials we have scarcely begun to grasp. It is a medium of communication at once transnational and private, worldwide and discreet, universal and immediate. It is, as nothing else before it, the technology of what Gianni Vattimo calls the “transparent society,” the technology of global instantaneity, which allows images to be acquired in a moment from almost anywhere, conversations of extraordinary intimacy to be conducted with faceless strangers across continents, relations to be forged and compacts struck in almost total secrecy, silently, in a virtual realm into which no one—certainly no parent—can intrude. I doubt that even the most technologically avant-garde among us can quite conceive how rapidly and how insidiously such a medium can alter the culture around us.

We are already, as it happens, a casually and chronically pornographic society. We dress young girls in clothes so scant and meretricious that honest harlots are all but bereft of any distinctive method for catching a lonely man’s eye. The popular songs and musical spectacles we allow our children to listen to and watch have transformed many of the classic divertissements of the bordello—sexualized gamines, frolicsome tribades, erotic spanking, Oedipal fantasy, very bad “exotic” dance—into the staples of light entertainment. The spectrum of wit explored by television comedy runs largely between the pre- and the post-coital.

What is worth noting, however, is that the modern understanding of freedom is essentially incompatible with the Jewish, classical, or Christian understanding of man, the world, and society. Freedom, as we now conceive of it, presumes—and must ever more consciously pursue—an irreducible nihilism: for there must literally be nothing transcendent of the will that might command it towards ends it would not choose for itself, no value higher than those the will imposes upon its world, no nature but what the will elects for itself.

We call upon the state to shield us from vice or to set our vices free, because we do not have a culture devoted to the good, or dedicated to virtue, or capable of creating a civil society that is hospitable to any freedom more substantial than that of subjective will. This is simply what it is to be modern.

But perhaps the COPA decision can provide some of us, at least, with a certain salutary sense of alienation: it is good to be reminded from time to time—good for persons like me, with certain pre-modern prejudices—that our relations with the liberal democratic order can be cordial to a degree, but are at best provisional and fleeting, and can never constitute a firm alliance; that here we have no continuing city; that we belong to a kingdom not of this world; and that, while we are bound to love our country, we are forbidden to regard it as our true home.

(HT: Daniel)